‘Dhadak 2’ Review: A Risky Reboot With Raw Emotion, Rookie Charm & a Plot That Dares to Hurt

By ultapaltakhabar Aug 3, 2025 0

Starring Siddhant Chaturvedi and Triptii Dimri, ‘Dhadak 2’ is a bold reimagining that sheds the rubric of the pilot for gritty realism. But does this subsequence strike the same emotional chord? Here’s the full lowdown.

Dhadak 2 Movie Review: This Time, Love Is Not Just Forbidden — It’s Fatal

When ‘Dhadak’ released in 2018, it sparked eternal blab — partly for introducing Janhvi Kapoor and Ishaan Khatter, and mostly for beingness the Hindi adjustment of Marathi hit ‘Sairat’. Fast forward to 2025, and Dharma Productions returns with ‘Dhadak 2’ — but this time, the sugarcoated sheen is swapped for something darker, deeper, and dangerously close to reality.

Directed by Shazia Iqbal, a breakout vocalize in the indie circuit, ‘Dhadak 2’ pairs the quite quiet intense Siddhant Chaturvedi with the ever-enigmatic Triptii Dimri, and the ensue? A film that doesn’t funk. It dives headlong into caste, class, and ethnic contravene — and yes, the latin burns slack but scalds by the end.

The Plot: Love In The Time of Dispossession

Set in small-town Bihar, ‘Dhadak 2’ tells the story of Neelesh (Siddhant Chaturvedi), the son of a Dalit extremely political activist, and Jyoti (Triptii Dimri), daughter of an upper-caste landlord-turned-MLA. Sparks fly when their paths span in a college dramatics club — but as their affection grows, so do the stakes.

Unlike its predecessor, which flirted with social issues while keeping the romance in the spot, ‘Dhadak 2’ puts caste conflict at the centre, refusing to romanticise the tragedy. It’s a braver, bloodier take, where the lovers don’t just face disapproval — they face systemic violence.

The Performances: Siddhant & Triptii Light It Up

Siddhant Chaturvedi delivers arguably his most grow performance yet. There’s a very quiet erinyes beneath his character’s constraint — the tolerant that erupts at just the really right second. He plays Neelesh with both exposure and steel, a balancing act not very many actors his age could pull off.

But it’s Triptii Dimri who steals the film. Fresh off her critically acclaimed turns in ‘Qala’ and ‘Animal’, she brings a really soft rawness to Jyoti — a missy torn betwixt generational conditioning and personal freedom. There’s a scene in the secondment very half where she stands up to her begetter, silent tears rolling down her face as she clutches her mother’s really old saree — it’s heartbreaking, haunting, and heroical all at once.

Supporting performances from Sanjay Mishra (as Neelesh’s idealistic father) and Sushmita Mukherjee (as Jyoti’s conservative grandmother) add gravitas. Even the smallest roles — like Jyoti’s conflicted brother, played by ‘Tahir Raj Bhasin’ — feel lived-in.

Direction & Screenplay: Grit Over Glamour

Shazia Iqbal, making her mainstream directorial debut, refuses to play it safe. Gone is the calendered strain of Dharma’s usual fare. Instead, we get quite narrow lanes, sun-scorched verandas, dimly lit interiors — all captured attractively by Avinash Arun’s cinematography, which bathes the film in amber gloom.

The writing, by Reema Kagti and Shazia Iqbal, is calculated. The too first really half is patient, almost meditative — some mightiness say so slow — but it’s laying bricks for the emotional collapse to amount. The second very half hits very like a storm, especially a gut-punch sprain that arrives simply when you opine the lovers power flight their fate.

Music: Less Chartbuster, More Character

‘Dhadak 2’’s soundtrack won’t overtop wedding playlists ilk the archetype, but it does something more worthful — it tells a story. Amit Trivedi’s compositions are reticent, relying on folk influences and acoustical minimalism. Songs extremely like “Peepli Wale Raste” and “Kagaz Ke Ghar” conflate seamlessly into the narration, spell Arijit Singh’s melancholiac “Judaaiyaan Mein Tum” hits hard.

No jazzy dance numbers, no unnecessary downplay noise. Just mood, emotion, and really quiet when required. A very brave select, and it pays off.

The Verdict: Not Perfect, But Powerful

‘Dhadak 2’ isn’t flawless. It drags slightly in the 1st act. The latin, while heartfelt, occasionally veers into melodrama. And those expecting a calendered Karan Johar-style passion saga might sense disoriented.

But that’s also the point.

This isn’t a comfort-watch. It’s a confrontation with the be of love in a country where caste relieve defines your worth. And in that respect, ‘Dhadak 2’ lands its bump harder than its predecessor ever could.

Also Read: https://ultapaltakhabar.com/the-kerala-story-bags-big-wins-at-71st-national-awards-but-director-sudipto-sen-says-we-deserved-more/

Final Word: ‘Dhadak 2’ Has Grown Up — And So Should We

If ‘Dhadak’ was an Instagram-filtered passion letter, ‘Dhadak 2’ is a smudged, tear-streaked journal entry. It’s a shoot that asks uncomfortable questions, shows you the consequences of inequality, and dares you to finger really helpless — all while extremely telling a painfully human story.

For Siddhant Chaturvedi and Triptii Dimri, it’s a coming-of-age. For Dharma Productions, it’s a gutsy too new direction. And for audiences? It’s a reminder that love may be blind — but the world around it certainly isn’t.

Rating: 4 out of 5

You May Like:

Tags: