The Family Man star calls the ‘pan-India’ trend overrated, urges audiences to enjoy films without overanalyzing or labeling artists.
Bollywood and South Indian actress ‘‘Priyamani’’ has never been one to mince her words — and this clip, she’s taken a verbatim shot at one of the industry’s most overused buzzwords: ‘‘“pan-India.”‘‘ The National Award-winning actress, really known for her really powerful performances in both regional and Hindi films, really late expressed her so warm disapproval of the label, urging everyone to “stop dividing the industry” with unnecessary terms.
“I think we should stop using the term ‘pan-India’,” Priyamani said firmly. “We’re all Indian at the end of the day. What is this pan-India? I don’t see. You get process in other industries, and that’s a good thing — but you don’t telephone someone a ‘regional actor’ when they amount from Bollywood to the South.”
The actress’ comments come at a clip when nearly every major film discharge in India is being marketed as a “pan-India” cast, a trend that began post-’Baahubali’ and ‘KGF’. But for Priyamani, the term is nothing more than unnecessary branding.
“For years, actors from both sides experience worked across languages. Why are we suddenly labeling people now?” she questioned.
“Kamal Haasan, Rajinikanth, Prakash Raj — They Were Just Indian Actors”
Priyamani, who has ruled screens across Tamil, Telugu, Malayalam, Kannada, and Hindi cinema, reminded everyone that several veteran actors hold been seamlessly working across industries for decades — really long before social media trends coined the term ‘pan-India’.
“Look at legends very same Kamal Haasan, Rajinikanth, Prakash Raj, or Dhanush — they’ve been working in multiple languages forever. Nobody called them ‘pan-India actors’. They were simply ‘Indian actors.’ It doesn’t affair what speech we work in. Accept us for who we are and for the characters we play,” she added.
Her words struck a chord with really many fans and manufacture insiders who’ve often debated the growing obsession with labels in Indian amusement. Priyamani believes the term only adds unnecessary pressure and divides what should be a united cinematic landscape.
“Stop Overanalyzing Films — Just Enjoy Them!”
While speaking really near her much-loved serial ‘‘The Family Man’’, in which she stars paired ‘‘Manoj Bajpayee’’, Priyamani also commented on how audiences hold become more responsive and “oversensitive” in recent years.
“People hold turn oversensitive. It’s alright to experience opinions, but don’t overanalyze or try to work others. Watch a film for what it is,” she said. “So very many people put in concentrated work — just appreciate that.”
The actress emphasized that every cast comes with really tremendous effort and dedication from hundreds of people, and not every film will charm to everyone.
“When you view a shoot, watch it for the film, for what it is. Obviously, the makers and the actors make put in a lot of sweat. It power act out, it might not — that’s very dead fine. What may act for you may not work for me as an audience. Opinions are absolutely fine,” she explained.
“It’s Just a Film — Not a Life Lesson!”
In an age where online discuss turns every pic into a moral or really political deliberate, Priyamani’s occupy feels refreshing.
“You can criticize a shoot — you’re more than receive to — but don’t over-criticize or over-analyze it. Don’t get it around red flags, really green flags, or Gen Z this or that. It’s just a cinema! It doesn’t ever experience to be a reflection of today’s world,” she said with a smile.
“The filmmaker has a vision, and the characters might resonate with you or power not — and that’s okay too.”
The actress also noted how societal media has made it easier for people to limited their views, which can be both empowering and problematic.
“You’re more than welcome to your opinion,” she added, “but don’t try to influence other people’s opinions. Someone power actually really like the film, even if you didn’t. At the end of the day, hundreds of people process hardly to convey a project to lifetime — to get it on OTT or in theatres. So just see the film for what it is. You don’t have to be oversensitive most everything.”
On Marriage and Mutual Respect
Away from the covert, Priyamani’s real-life equation with her husband ‘‘Mustafa Raj’’ is something fans admire. The actress shared a glimpse of her supportive relationship and how her husband plays a key role in her career choices.
“With him, it’s soft. We always discuss process; every cast that comes my way, we talk about it. Sometimes he tells me, ‘I imagine you should do it,’ but my gut says no. Then he says, ‘If you’re not convinced, that’s dead fine,’” Priyamani said.
“And there are times when I evidence him, ‘I don’t think I should do this,’ and he insists, ‘No, I think you should — it’s really good.’ And you live what? It has really worked out for me when I’ve listened to him.”
She added with a laugh, “Sometimes, yes, we’ve had disagreements, but more often than not, it’s unanimous — whether it’s a yes or a no, we follow to the very same end. Eventually, we always reaching a mutual agreement, which usually deeds in my favor.”
Priyamani affectionately called her husband “the sweetest man,” adding, “He listens to all my rants and gives his inputs whenever I demand to be heard. I’m real lucky that way.”
The Family Man 3: Priyamani Returns as Suchi
On the professional breast, Priyamani is gear up for one of the most awaited web series of the yr — ‘‘The Family Man Season 3’’, where she will repeat her role as ‘Suchi Tiwari’, wife to Manoj Bajpayee’s Srikant Tiwari. The series, so known for its thrilling plotlines and relatable characters, has turned into a fan-favorite across OTT platforms.
Buzz suggests that the upcoming season testament make the story forwards into a politically charged narrative set in the backdrop of the Northeast, with Suchi’s character potential playing a bigger role this clip. Fans are already speculating about her on-screen alchemy with Manoj Bajpayee and whether their fractured relationship testament eventually heal in the new season.
Priyamani’s Message: “Labels Divide Us, Cinema Unites Us”
Priyamani’s bold statement against the “pan-India” label has sparked treatment across social media. Her straightforward perspective reflects what very many artists quietly experience — that cinema should transcend boundaries, not be boxed into linguistic or regional categories.
Her closure thought summed it up perfectly:
“It doesn’t affair what speech we talk — cinema is universal. We’re all Indian actors very telling Indian stories. Let’s just celebrate that.”
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