Brendan Fraser Slams Warner Bros. for ‘Batgirl’ Burial, Calls It a “Tragedy” for Fans, Creators & Hollywood’s Future

By ultapaltakhabar Nov 23, 2025 0

The Oscar-winning actor gets brutally honest about the cancelled DC film, Hollywood’s “burn-it-for-insurance” trend, and why little girls deserved to see Batgirl on screen.

Brendan Fraser isn’t holding back anymore — and Hollywood is listening.

In a refreshingly blunt interview with the Associated Press, the Academy Award–winning actor expressed raw disappointment over Warner Bros.’ shocking decision to shelve the completed-but-unreleased Batgirl film. The movie, which was meant to introduce a fresh chapter in the DC Extended Universe, had already wrapped filming when the studio abruptly pulled the plug in 2022 as a “cost-cutting measure.” Not a single frame has seen the light of day.

Now, Fraser — who played the film’s main villain, Firefly — is calling out the system that allowed an entire production to be locked away like it never existed.

“It’s More Valuable to Burn it Down”: Brendan Fraser’s Fury Hits Home

Fraser didn’t mince words when describing what he believes is wrong with the industry today.

“The product — I’m sorry, ‘content’ — is being commodified to the extent that it’s more valuable to burn it down and get the insurance on it than to give it a shot in the marketplace,” he said. “I mean, with respect, we could blight itself.”

Oof. When George of the Jungle starts telling you the jungle is rotten, you listen.

In one line, Fraser summed up what many creators, fans, and industry veterans have whispered for years — that Hollywood’s financial calculus is overpowering its creative heart. And in the case of Batgirl, that meant erasing years of work by hundreds of artists, technicians, actors, and crew.

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What We Lost: A Heroine Who “Looks Like Us,” a Villain We Never Saw

Fraser’s sadness wasn’t just about his performance going unseen — it was about the cultural void left behind.

“The tragedy of that is that there’s a generation of little girls who don’t have a heroine to look up to and go, ‘She looks like me,’” Fraser said.

Batgirl would have starred Leslie Grace — one of Hollywood’s rising Latina stars — in her first major superhero role. It would have also introduced Ivory Aquino as the DCEU’s first trans character. For representation alone, this movie was poised to be a milestone.

But now? It’s locked in a vault.

Directed by Adil El Arbi and Bilall Fallah, Batgirl had completed shooting in Scotland between November 2021 and March 2022. The cast included Jacob Scipio, Alysia Yeoh, J.K. Simmons, and — wait for it — Michael Keaton returning as THE Batman. Yes, that Batman. The one from 1989. The icon. The legend.

“I mean, Michael Keaton came back as Batman. The Batman!” Fraser added, still in awe.

Imagine the nostalgia, the marketing power, the fan frenzy DC could have unleashed. And yet… nothing.

A Four-Floor Production Scrapped Overnight

Fraser revealed he would often sneak into the art department just to “geek out.” That’s how massive and exciting the project was.

“A whole movie,” he sighed. “There were four floors of production in Glasgow.”

Let that sink in. A fully shot, nearly finished DC superhero film — one that fans were genuinely excited about — simply vanished. According to Fraser, it wasn’t just wasteful. It was heartbreaking.

Warner Bros. for Sale, DC Rebooted — So Is Batgirl Gone Forever?

With Warner Bros. reportedly up for sale and DC now restructured under James Gunn and Peter Safran as DC Studios, the chances of the studio ever releasing Batgirl seem slimmer than ever.

Two years ago, fans hoped the film might get resurrected — maybe on HBO Max, maybe as a surprise DC Multiverse drop. Today? Even Fraser sounds doubtful.

The shelving of Batgirl also sent shockwaves through Hollywood about what studios might do in the future when a project doesn’t fit the “long-term plan.” Fans and creators fear that this decision could set a precedent where art is disposable the moment it stops fitting neatly into budgets or rebranding strategies.

And in the era of streaming wars, this fear hits even harder.

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What’s Next for Brendan Fraser?

While Batgirl remains buried, Fraser’s career is soaring.

Fresh off his Academy Award–winning performance in The Whale (2022), the actor is enjoying a second wave of global admiration. He currently stars in Rental Family and is officially confirmed to reprise his iconic role as Rick O’Connell in the fourth installment of The Mummy franchise.

So even if Firefly never gets his moment, Fraser surely will.

Also Read: https://ultapaltakhabar.com/a-fox-under-a-pink-moon-review-afghan-teen-turns-pain-into-art-in-this-raw-award-winning-documentary/

Why This Matters: Hollywood’s Biggest Question Mark

The Batgirl saga has become symbolic of a deeper identity crisis in Hollywood:

Is art now just “content”?

Is a completed movie disposable?

Are creators replaceable?

And are studios too quick to hit delete?

Fraser’s fiery comments highlight what fans have been feeling for years — that creative risk-taking is being overshadowed by corporate efficiency, and that even beloved brands like DC aren’t immune to questionable decisions.

The industry is shifting fast… but at what cost?

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