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Eesha Box Office Update Day 8: Telugu Drama Slows Down After First-Week Spark, Total Touches INR 6.03 Cr

After a promising opening week, Eesha enters its second week on a softer note as weekday fatigue, reduced shows, and mixed word of mouth impact collections. Hereโ€™s a detailed look at Day 8 numbers, occupancy trends, and what lies ahead.


The Telugu film Eesha enjoyed a respectable first week at the box office, managing to stay afloat amid heavy competition and a crowded release window. However, as the film steps into its second week, the pace has clearly slowed. According to early live estimates, Eesha earned around โ‚น0.11 crore India net on Day 8, taking its total eight-day India net collection to approximately โ‚น6.03 crore.

While the numbers are modest, they still reflect a film that found a niche audience in its opening days before weekday realities set in.

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Eesha Day 8 Box Office Collection: A Clear Drop, But Not a Shock

After earning an estimated โ‚น5.92 crore in its first seven days, Eesha witnessed a sharp decline on its second Thursday. Day 8 collections came in at โ‚น0.11 crore, a significant dip but one that was widely expected.

Weekday drops are common for mid-budget Telugu films, especially those driven by content rather than star power. With reduced screenings and limited buzz outside core regions, Eeshaโ€™s performance on Day 8 reflects a film now relying primarily on organic footfalls rather than hype.

Hereโ€™s a quick snapshot of Eeshaโ€™s 8-day India net box office performance:

  • Day 1 (Thursday): โ‚น1.65 Cr
  • Day 2 (Friday): โ‚น1.20 Cr
  • Day 3 (Saturday): โ‚น1.15 Cr
  • Day 4 (Sunday): โ‚น1.00 Cr
  • Day 5 (Monday): โ‚น0.35 Cr
  • Day 6 (Tuesday): โ‚น0.30 Cr (rough data)
  • Day 7 (Wednesday): โ‚น0.27 Cr (rough data)
  • Day 8 (Thursday): โ‚น0.11 Cr (early estimates)

Total after 8 days: โ‚น6.03 Cr India net

The trend clearly shows that while the opening weekend did the heavy lifting, weekdays have been challenging.

Telugu Occupancy on Day 8: Morning Shows Hold the Fort

On Thursday, January 1, 2026, Eesha recorded an overall Telugu occupancy of 13.24%, with data currently available only for morning shows. Afternoon, evening, and night shows were either minimal or not reported at the time of this update, indicating reduced demand and fewer shows across circuits.

Eesha Day 8 Telugu (2D) Occupancy:

  • Morning Shows: 13.24%
  • Afternoon Shows: 0%
  • Evening Shows: 0%
  • Night Shows: 0%

This pattern strongly suggests that exhibitors are gradually pulling back shows, especially in urban centers where competition from newer releases and holdover films is intense.

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Region-Wise Performance: Small Pockets Still Showing Life

While metros struggled, a few smaller centers showed relatively better traction, proving that Eesha still has some life left in select belts.

Notable regional occupancy highlights on Day 8:

  • Mahbubnagar: 30%
  • Vijayawada: 19%
  • Nizamabad: 17%
  • Kakinada: 16%
  • Vizag-Visakhapatnam: 15%
  • Guntur: 11%

Meanwhile, Hyderabad, the most crucial market, reported a muted 9% occupancy across 143 shows, clearly reflecting fatigue and waning interest.

Bengaluru and Karimnagar recorded virtually no traction, signaling the filmโ€™s limited appeal outside its primary Telugu-speaking zones.

What Worked for Eesha in Week One?

Despite its current slowdown, Eesha did manage to create some early goodwill. The filmโ€™s decent opening of โ‚น1.65 crore indicated curiosity among audiences, largely driven by its cast and emotionally rooted storytelling.

Performances by Thrigun, Siri Hanmanth, and Hebah Patel received appreciation from a section of viewers, especially in single-screen circuits. Director Manne Srinivas focused on a grounded narrative, which resonated with audiences looking for content-driven cinema rather than loud commercial spectacle.

The filmโ€™s steady run over the opening weekend helped it cross the โ‚น5 crore mark comfortably by midweek.

Where Did Things Slow Down?

The sharp dip from Monday onwards exposed the filmโ€™s biggest challengeโ€”limited repeat value and low buzz beyond the opening week. With no major chart-topping songs or viral moments to sustain momentum, Eesha struggled to pull audiences back into theaters.

Additionally, the arrival of fresh releases and the continued strong presence of bigger titles reduced available screens, directly impacting show counts and collections.

Budget vs Returns: A Mixed Picture

While official budget figures havenโ€™t been disclosed, Eesha appears to be a moderate-budget production. With โ‚น6.03 crore already in the kitty, the film has likely recovered a portion of its costs through theatrical revenue, satellite rights, and digital deals.

However, from a pure box office perspective, the film now needs a strong weekend rebound or extended run in smaller centers to push closer to a safer figure.

Whatโ€™s Next for Eesha at the Box Office?

Looking ahead, Week 2 weekends will be crucial. If Eesha manages to stabilize collections on Friday and sees a mild jump on Saturday and Sunday, it could add another โ‚น0.5โ€“โ‚น0.8 crore to its total.

Otherwise, the film may gradually exit most theaters by the end of the second week, making way for newer releases.

Trade experts believe that word of mouth alone wonโ€™t be enough at this stage, and aggressive pricing or localized promotions may be needed to keep footfalls coming.

Also Read: https://ultapaltakhabar.com/champion-box-office-day-8-telugu-sports-drama-crosses-inr-10-cr-mark-despite-weekday-slowdown/

Final Verdict After Day 8

Eeshaโ€™s box office journey so far tells the story of a film that started well, held decently, but is now feeling the pressure of time and competition. Crossing โ‚น6 crore in eight days is no small feat for a content-driven Telugu film, but sustaining momentum remains the biggest challenge.

All eyes are now on the upcoming weekend to see whether Eesha can surprise againโ€”or quietly bow out after a respectable run.

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Note: Box office figures are estimates from various sources and have not been independently verified by Ulta Palta Khabar.

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