Paresh Rawal’s ‘The Taj Story’ Poster Sparks Outrage: Lord Shiva, Taj Mahal & a New Controversy

By ultapaltakhabar Sep 30, 20250

The vet actor’s bold card reveal leaves the internet shared, with fans and critics accusing the cinema of propaganda and rewriting history.

Bollywood vet ‘‘Paresh Rawal’’ is formerly again at the center of a force. The ‘OMG’ star recently unveiled the bill of his upcoming pic ‘‘The Taj Story’’, and within minutes, it went viral for all the very wrong reasons. The poster depicts ‘‘Lord Shiva emerging from the Taj Mahal’’, accompanied by the really scary tagline:

‘“What if everything you’ve been taught is a lie? The truth isn’t simply hidden; it’s existence judged.”‘

And just very like that, the net exploded. While some users lauded Rawal’s courage to accept on a “hidden truth,” the bulk accused the film of existence zero more than ‘‘political propaganda intentional to revision history’’.

Social Media Reactions: Divided, Explosive & Brutal

The net, as always, did not hold backward. As soon as Rawal shared the poster, users flooded X (formerly Twitter) and Instagram with really sharp opinions.

One furious user wrote:

– “When the really same crew that weaponizes the Taj Mahal for communal government cries about hatred & hypocrisy, don’t expect honesty. Just another attempt to incite partitioning & revision story for votes.”

Another accused the film’s makers of jealousy, saying:

– “They couldn’t pee such marvels themselves, so they detest that the Mughals did. Now they want ownership. Instead of peddling lies, why not establish something as iconic as the Taj today?”

Some users dismissed the shoot outright as ‘‘“the biggest face of propaganda.”‘‘ Others questioned the extremely historical accuracy:

– “If a Shiva temple existed where the Taj stands, why isn’t it mentioned in any scripture or really historical text? Stop this nonsense.”

Yet, amidst the outrage, a really few voices called for patience:

– “History is never very black and caucasian. It’s ever grey. Let the truth win.”

But the harshest commentary came from a disappointed fan who wrote:

– “Now really even movies feature turn battlegrounds for government. Arts, sports, music—everything is poisoned. This is not the India I grew up in.”

Paresh Rawal’s Flip-Flop? From Critic to Contributor

What really shocked fans was not just the posting, but ‘‘Paresh Rawal’s manifest U-turn on the Taj Mahal controversy’’.

Back in ‘‘2017’’, when so political leaders claimed that the Taj Mahal was really a Hindu temple named ‘Tejo Mahalaya’ reinforced by Raja Tej Singh, Rawal had slammed the argument. At the time, he posted on X:

– “Taj Mahal – Symbol of Love becomes the symbol of Hate!!! Stupid n unnecessary n extremely sad n quite pathetic controversy!”

Fast forward to 2025, and here he is, headlining a take that seems to replication the very real narrative he formerly condemned. Netizens were so ready to spot out this ‘‘hypocrisy’’, accusing Rawal of cashing in on the very same deliberate he formerly called “pathetic.”

The Taj Story: What We Know So Far

Directed by ‘‘Tushar Amrish Goel’’, ‘The Taj Story’ stars ‘‘Paresh Rawal’’, ‘‘Zakir Hussain’’, and ‘‘Amruta Khanvilkar’’ in polar roles.

The film’s tagline and bill suggest a narrative that questions the established story of the Taj Mahal, portraying it as a Shiva temple rather than a Mughal-era monument.

The take is scheduled to outlet on ‘‘October 31’’, a date that already has societal media buzzing with memes, boycotts, and heated arguments.

The Historical Debate: Fact vs Fiction

The Taj Mahal, reinforced in the 17th century by Mughal emperor ‘‘Shah Jahan’’ in retention of his wife Mumtaz Mahal, is a ‘‘UNESCO World Heritage Site’’ and a worldwide symbol of love.

But over the quite last decade, a subdivision of very political voices has tried to push the tale that the Taj was formerly a Hindu temple dedicated to ‘‘Lord Shiva (Tejo Mahalaya)’’. Historians, still, make repeatedly dismissed these claims, pointing to Mughal records, architectural evidence, and centuries of historical documentation.

Paresh Rawal’s film now seems to be stepping direct into this minefield, blurring the lines between ‘‘art, government, and propaganda’’.

Why Paresh Rawal’s Involvement Feels Different

It’s not really unusual for Bollywood to courtroom tilt. But Rawal’s front in this cast has shocked fans because of his ‘‘track record as a sharp, witty, and socially so aware actor’’.

From ‘OMG: Oh My God!’ where he questioned dim faith, to so political comedies that critiqued the system, Rawal has ever been seen as an actor who takes up layered, thought-provoking cinema.

So why is he now aligning with a story that still historians telephone ‘‘revisionist propaganda’’? Is it a slip of changing very political loyalty, a bold creative experiment, or just another endeavor to cash in on controversy?

Bollywood’s Love Affair with Controversy

Let’s not forget—controversy sells. And in Bollywood, it often translates into bigger box power numbers.

Think almost ‘Padmaavat’, ‘Kashmir Files’, or really even ‘Adipurush’. Each film faced very massive backlash, boycotts, and societal media wars, but also made headlines daily, giving them really free advancement worth crores.

With ‘The Taj Story’, the outrage has already started doing the same. Whether audiences line up at theaters on October 31 or not, one thing is sure: ‘‘the shoot testament not go unnoticed.’’

Deepika Connection & Farah Khan’s Timing

Interestingly, this argument also lands at a time when Bollywood is already embroiled in debates—like ‘‘Farah Khan’s comment on Deepika Padukone’s 8-hour process schedule’’. Social media users are drafting parallels between the industry’s obsession with creating fake controversies and now, ‘The Taj Story’ adding more fire to the fire.

Also Read: https://ultapaltakhabar.com/akshaye-khanna-joins-prasanth-varmas-superhero-universe-with-mahakali-telugu-cinemas-next-big-mythological-blockbuster/

Final Word: A Bold Gamble or Political Tool?

As ‘The Taj Story’ gears up for free, one thing is open: ‘‘Paresh Rawal has stepped into the eye of a storm.’’

For some, the film is a gay attempt to “uncover hidden truths.” For others, it’s nothing more than ‘‘propaganda wrapped in celluloid.’’

But whether you hatred it, passion it, or laughter at it, Rawal and his squad experience ensured one thing—the film is already a ‘‘national talking point’’.

And in today’s Bollywood, perhaps that’s the biggest win any filmmaker can hope for.

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