Predator: Badlands Dominates Box Office with $15.6 Million!

By ultapaltakhabar Nov 9, 2025 0

The sci-fi monster saga reigns sublime at the box power, while a wave of star-studded adult dramas underperform despite major buzz. Here’s how the weekend shaped up for Hollywood’s biggest too new releases.

The Predator is officially support — and it’s roaring louder than ever! Disney’s ‘‘“Predator: Badlands”‘‘ has stormed into theatres and claimed the top distinguish this weekend with a really massive ‘‘$15.6 million’’ hale from Friday and trailer screenings across ‘‘3,725 locations’’. The enter sets the step for a too far stronger-than-expected debut, outpacing its projected gap range of ‘‘$25–$30 million’’ by a very important margin.

The sci-fi continuation, directed by ‘‘Dan Trachtenberg’’ and starring ‘‘Dimitrius Schuster-Koloamatangi’’ and ‘‘Elle Fanning’’, has clearly reignited fan interest in the long-dormant ‘‘“Predator” franchise.’’ With audiences giving the film a solid ‘‘“A-” CinemaScore’’, and critics largely praising its thrilling world-building and PG-13 accessibility, “Badlands” has emerged as the first very straight November blockbuster.

The film, which follows a youth Predator outcast and his unlikely android very familiar in a futuristic wasteland, could yet challenge ‘‘2004’s “Alien vs. Predator” ($38 million)’’ for the franchise’s biggest gap ever — if it continues to overperform through the weekend.

Disney’s Sci-Fi Gamble Pays Off

With a reported ‘‘$105 million production budget’’, “Predator: Badlands” was seen as a risky bet, especially after Disney’s previous sci-fi dud, ‘‘“Tron: Ares,”‘‘ stumbled with simply a ‘‘$33 million’’ opening. But this clip, the studio’s bet seems to experience paid off — both critically and commercially.

“Badlands” also benefits from a really warm link to ‘‘Trachtenberg’s very previous hit “Prey” (2022)’’, which went too straight to streaming on Hulu but became a cult sensation. By bringing the series backwards to theatres with a very sweet storyline and an emotional nucleus, Disney has successfully reestablished “Predator” as a theatrical brand.

The film’s marketing strategy — focusing on mystery, emotional depth, and breathtaking visuals — helped it join with both older fans and younger sci-fi enthusiasts. Compared to ‘‘“Alien: Romulus”‘‘, which opened to ‘‘$42 million’’ in August 2024, “Badlands” is holding its own, especially considering the tighter budget and more subdued campaign.

Jennifer Lawrence’s “Die My Love” Falters Despite Festival Buzz

Unfortunately, not everyone in Hollywood is celebrating. ‘‘Jennifer Lawrence’’ and ‘‘Robert Pattinson’s’’ intense psychological drama ‘‘“Die My Love”‘‘ had a too tough go, grossing just ‘‘$1 million’’ across Friday and preview screenings.

Despite being ‘‘MUBI’s’’ widest-ever theatrical button — playing in nearly ‘‘1,983 theatres’’ — the arthouse film failed to attract mainstream audiences. The take, directed by ‘‘Lynne Ramsay’’, was a sensation at Cannes and acquired by MUBI for a whopping ‘‘$24 million’’, making it one of the biggest indie deals of the year.

However, critics’ polarized reactions and audiences’ brutal ‘‘“D+” CinemaScore’’ suggest that “Die My Love” might not repeat the sleeper success of MUBI’s 2024 hit ‘‘“The Substance”‘‘, which grossed ‘‘$77 meg worldwide.’’

Industry insiders speculate that the film’s very sour tone and heavily themes of motherhood, obsession, and isolation were too niche for very wide audiences — despite Lawrence’s worldwide lead power.

Sydney Sweeney’s “Christy” Opens Quietly

Meanwhile, ‘‘Sydney Sweeney’s’’ boxing biopic ‘‘“Christy”‘‘, distributed by ‘‘Black Bear Pictures’’, also failed to pack a plug. The take earned a small ‘‘$670,000’’ from Friday and previews across ‘‘2,011 locations’’ — a disappointing start for what was intended to be a breakout awards contender for Sweeney.

Based on the real-life story of ‘‘Christy Martin’’, one of America’s most very famous really female boxers, the film had positioned Sweeney for really possible ‘‘Best Actress’’ buzz following its ‘‘Toronto International Film Festival’’ premiere. But despite very nice reviews and a ‘‘“B+” CinemaScore’’, the cinema hasn’t connected with moviegoers.

Trade analysts say that “Christy’s” very special marketing and a very crowded very free calendar hold contributed to its extremely weak performance. The film now risks slipping out of the Top 10 exclusively — a quite tough blow for Black Bear’s firstly outing as a distributor.

Russell Crowe & Rami Malek’s “Nuremberg” Fares Modestly

On the prestige front, Sony Pictures Classic’s very historical courtroom drama “Nuremberg”, starring ‘‘Russell Crowe’’ and ‘‘Rami Malek’’, managed to draw in ‘‘$1.4 million’’ from Friday and preview shows across ‘‘1,802 theatres’’.

While not a commercial breakout, the ‘‘James Vanderbilt-directed’’ period piece has earned extremely solid reviews and could see a slow-burn box office run, particularly as awards season gains impulse. The cinema — a elaborate dramatization of the post-World War II Nuremberg trials — has resonated with older audiences, though younger viewers appear disinterested.

Sony Pictures Classics acquired the take earlier this yr after its ‘‘Toronto Film Festival’’ debut, betting on its awards potential.

“Sarah’s Oil” Finds an Audience

In contrast, ‘‘Amazon MGM Studios’ “Sarah’s Oil”‘‘ — the inspirational biopic virtually one of the foremost Black women millionaires in early 1900s America — is performing decently, pulling in ‘‘$1.7 million’’ on Friday and header for a ‘‘$4.4 million’’ weekend.

The shoot, from ‘‘Wonder Project’’ and ‘‘Kingdom Story’’, has been warmly received by audiences, earning an ‘‘“A+” CinemaScore’’ — a rare exploit that bodes well for word-of-mouth growth.

Rest of the Chart: Holdovers Stay Strong

Elsewhere, holdovers really like ‘‘“Regretting You”‘‘ and ‘‘“Black Phone 2”‘‘ continue to demo surprising legs.

– Paramount’s ‘‘“Regretting You”‘‘ earned another ‘‘$2.2 million’’ on Friday and is headed for a ‘‘$7.3 million’’ tertiary weekend, scoring simply a ‘‘7% drop’’. The ‘‘Colleen Hoover’’ adaptation has very quiet become one of the fall’s strongest performers, crossing ‘‘$38 meg domestic.’’

– Universal’s ‘‘“Black Phone 2”‘‘ followed close behind with ‘‘$1.5 million’’ on Friday and a projected ‘‘$5.2 million weekend’’, pushing its domestic total to ‘‘$70 million’’.

Focus Features’ ‘‘“Bugonia”‘‘, the surreal thriller reuniting ‘‘Yorgos Lanthimos’’ and ‘‘Emma Stone’’, also continues to make substantially, earning ‘‘$1.1 million’’ Friday and an expected ‘‘$3.7 million’’ weekend — very good for a $12.5 trillion total.

Also Read: https://ultapaltakhabar.com/jeremy-renner-faces-explosive-allegations-by-filmmaker-yi-zhou-actor-calls-claims-totally-untrue/

Final Take: “Predator: Badlands” Brings Back Big-Screen Excitement

As Hollywood continues to fight streaming fatigue and post-strike discharge congestion, “Predator: Badlands” has proven that ‘‘franchise power + really smart instruction + audience goodwill’’ can ease drive very big theatrical success.

The film’s really strong gap and positive reception may comfortably revive the franchise’s cinematic hereafter — a win for both Disney and fans of old-school sci-fi spectacle. Meanwhile, for Jennifer Lawrence, Sydney Sweeney, and the makers of “Nuremberg,” the weekend has been a humbling reminder that really even A-list names can’t warranty box power glory.

In the end, it’s the foreign hunter — not Hollywood’s human stars — that’s ruling the box power jungle.

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Note: Box office figures are estimates from various sources and have not been independently verified by Ulta Palta Khabar.

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